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Les dra-. Les recueils statistiques doivent ignorer cette victime. Le trouveur ignorera longtemps le premier geste criminel.

Seule demeure l'angoisse maternelle. Mon enfant existe j'en ai la certitude.. Marque de l'imprudence. De multiples charades criminelles se proposent au lecteur. Il n'aura de moi ni affection ni. Il leur semble que chaque passant devine dans leurs traits et dans leur attitude le crime qu'elles vont com-. Rien de plus. Au contraire. Mais elle ne leur offre qu'une tutelle sans affection. L'Assistance publique assure l'existence de ses pupilles, mais elle ne peut pas les initier aux joies de l'enfance.

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Cependant il vit. Plus tard, vous y arriverez, sans doute, en fouillant les prisons et les bagnes, en parcourant les cours d'assises. Mais - suivant en cela. Ponson du Terrail, Les Drames de Paris. Zellige: enamel-coated chips of terra cotta set into plaster, used to decorate monuments and home interiors in the Arab world.


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With a firmly international focus, and a deliberately diversified catalogue novels, essays and albums , Zellige aims to develop close partnerships with publishers, bookstore managers and distributors in the French-speaking world. So the works can be published simultaneously in all the countries involved. And at prices tailored to local buying power. Steering clear of the centralising mindset, programmes are not systematically initiated in France.


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  6. Furthermore, Zellige has expanded into graphic design and communications, with customers sometimes hailing from other walks of life than publishing. Yomad was founded end It is a small publishing house specialising in books for young people. Its means are tiny but its ambition is huge, stemming from the dearth of local creation witnessed in literature for young people. Whereas children need to set down roots in order to forge their identity and live in harmony with society. This is what underpins Yomad. The Yomad catalogue now features 10 collections comprising 40 books.

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    Que cherche-t-il dans les ruines de Volubilis? Ce dernier refusa. Quelle fut sa punition? Publishing professionals for about 25 years, our starting point was when we noticed a great emptiness, a great shortage in the publishing industry. Book supply is substantial in France, yet many cultures are missing or under-represented.

    Petite Maman : un roman graphique qui se plonge dans l'horreur des violences intra-familiales…

    Written works, literature, arts, books contribute to this. We have thus opened our door to authors and illustrators, to visions and ideas from abroad, so as to continue together, on the long term, the journey of creation and literature. These stories make us dream and wonder, they question us.

    The approach is reversed; shifting the point of view changes everything. Our representations, here in France, in a rich Northern country, are questioned, and our landmarks shifted away. Imaginations, languages, ideas, images, cultural expressions clash, cross, permeate each other. In , it opened up to fiction and confirmed its grounding in the milieu of schools and universities and, more generally, in the world of ideas to better share our home: Earth.

    With its creation, several objectives were fixed to promote literature while acting in various and complementary plans which include writing support of and follow-up with authors , reading communication with the public , and output and diffusion; to promote and revalorize the African languages, especially those spoken in Burkina Faso and transnational languages, across an editorial policy which avoids marginalizing publication in African languages aesthetic of the form and the contents, topics, circulation of the publications With just two to four publications per year, we seek, in the face of opposition, to hear life resonating from within each of us.